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DISTRESSOR
Options & Upgrades
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New
Distressor Options
Welcome to the first in a series of Upgrades & Options
for your Distressor! From the beginning, the Distressors were
designed to be "USER MODIFIABLE". Having been technicians
and engineers, the designers at ELI have always tweaked and
tortured other pieces of studio equipment and thought, "Why
not make it easy to modify or otherwise fiddle with the guts
of our products?" So we did. There
are currently two new options that require you to schedule
your Distressors for a quick return to the factory. The
modifications take one business day but must be scheduled.
For example, a Distressor owner will call the factory say
Aug 1, and be scheduled to have his unit at the factory
on Aug 27. On Aug 28th it will be shipped from the factory.
DO NOT RETURN YOUR DISTRESSOR TO THE FACTORY
UNTIL YOU HAVE AN "OPTION UPGRADE NUMBER" and a service
date scheduled! Thanks.
IN EUROPE, CONTACT JUKE BOX LIMITED IN PARIS.
These people are prepared to do your modifications so you
won't have to deal with US customs hassles. In
Europe, you don't need an upgrade number - just contact
Juke Box to schedule your modification.
Juke
Box Limited
49, boulevard du Lycée
92170 Vanves, France
Direct
lines:
+33 01 40 93 0101 (tel)
+33 01 40 93 0606 (fax)
E-mail : info@jukeboxltd.com
(Jean-Baptiste Lierre)
Juke Box Limited
<--- Their Website (Web : http://www.jukeboxltd.com )
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Stereo
Image Linking for the Distressor - a hardware option
for your Distressor
Basic Description - The original Distressor stereo link implementation
used a summing and phase detection method which allowed stereo
image shifting. "Image shifting" occurs when the interchannel
balance (the relative volume between Left and Right channels)
changes during compression. Although known for its phase correction,
and its "thickening" on open room mics and other stereo sources,
this approach has sometimes been a problem on stereo program
material where the producer/engineers want to maintain absolute
left/right balance at all times.
With
the new "Stereo Image Link" option, the Distressor user
now has three link options - the original "phase" link,
the new Image Link and the combination of the two, phase
and image linking. This has never before been offered on
any compressors or limiters. There can be very slight differences
in the metering between the two units. Due to the high resolution
of the Distressor's metering, 1/10th dB can make an LED
on one unit go on or off earlier than the other unit's.
Also, don't readjust knob alignment - the output pots especially.
They are often offset around "0" to allow for "dead spots"
at the lower extremes.
How
to use the new Stereo Image Link Option for the first time:
You must now use two stereo phone plugs in the link cabling.
This means standard TRS phone plugs. They are supplied when
you purchase the option. Plug one unit's Link Out to the
other's Link In, and vice versa. Both units must have the
"Stereo Image Link" switch on (both switches should be in
the up position and the LEDs should be lit). The engineer
must still match the units' front panel controls usually,
but the units will now always match in their gain reduction
amount - eliminating image shift. The most important thing
the user must do is match the left and right input and output
levels. If no change is going to be made to the left/right
balance, using a tone to set the left right I/O levels is
very direct and useful. See below.
Tips
Setting I/O levels - It is suggested that you set both units
to their general expected settings, with Stereo Image link
engaged, apply an identical tone to both Distressors, and
adjust the inputs nearly the same, then "tweak" the outputs
so that the output levels are identical. Use the meters
on your board or recorders. This will ensure that the interchannel
levels remains unchanged. Also, with the new linking, it
is not as critical to match either the input or outputs,
since the gain reduction between the two channels is locked,
and therefore once the overall throughput levels are matched,
they will remain that way. However, the units can respond
more to the louder channel if the input levels are not matched
closely.
Back to Top
Tricks
* First, there is no limit to how many units can be linked
- in theory. However, you must avoid long link cables since
they will cause noise and degradation of operation. To wire
up more than two units, go from the link output of the 1st
unit's link to the next units link input, then take that
units link out to the next ones input etc. Finally, take
the last units link out and feed it back to the first units
link in. Again, your must use stereo phone plugs for the
new "Stereo Image Link" to work.
* Try putting the lower unit into 1:1 mode with attack and
release on 10. Then still matching the I/O levels, use the
upper unit to select ratio and attack/release times. This
will allow a longer attack time then otherwise available,
since the top unit must drive both units timing circuitry.
The down side is that the units will only respond to the
top units signal, unless the original link is engaged (see
below). There are a few well known compressors that have
a master/slave mode that only looks at the "master units"
audio - so this is not unheard of. You may switch the units
and have the bottom one control the top unit (which is in
1:1 mode). Also, using the original link will sum both channels
partially, so that there is some response to the "slave"
units audio. This longer (slower) attack time is sometimes
very useful on program material - a la SSL type compression.
* By not matching the units front panel controls - whole
new ratios can be obtained. For instance, putting the left
channel on 2:1 and the right channel on Nuke (pretty radical
but..), then setting the left and right levels differently,
you can get a combination of two ratio curves. Usually the
lowest attack/decay settings will override the higher settings,
i.e. if one channel has the attack set to 10 and the other
to 3, the units will generally react at the faster 3 setting.
* If for some reason no TRS stereo link cables are available,
one may use a regular guitar cable to enable the new link.
But you only insert the cable part way into the rear Link
connectors - so that only the ring is in contact with the
tip of phone plug. The normal EL8 link will be sacrificed,
however, since it relies on the tip of the link connectors
to be connected. It is probably best not to put the unit
in normal link (in the Det area) since it will make the
unit operate with more distortion without the tip connections
- then again this mite be the perfect spice for your gumbo!
Suggested retail price is $200 per Distressor
for both mods ($400 for a stereo pair). This
includes a brand new EL-8X front panel, turning your EL-8 to
an EL-8X.
Schedule
your modifications now! Click here to schedule
Back to Top

Click here to see what the Stereo Link
Mod looks like when its finished.
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The
Distressor "British Mode" Option
Welcome to another upgrade & option for your
Distressor!
Basic
Description - The original concept of the "British
Mode" came from an unusual setting on the classic UREI LN1176
limiter. The unit was designed to have only four ratios,
each ratio being engaged by selecting one of four buttons.
However, as early as 1980 (or before), renegade recording
engineers, always on the lookout for something a little
more "over the top", found that you could make all four
buttons stay "in" if you pressed them just right. What resulted
was a very, very aggressive sound that had some elements
of the units 20:1 ratio, but with an unusual knee and new
envelope shape. Somewhere along the line, someone called
it a "British Mode" and the name has stuck. It is also called
"all buttons in" and some other intuitive names.
The
Distressor has the advantage of being able to apply this
"aggressive" nature not only to the new British ratio (1:1)
but also to all the ratios since a separate switch is installed,
which can be enabled with any ratio. One should keep
in mind however, that an attack below 3 or 4 is required
to maintain the LN1176 character. If you go above
an attack of 3 you will also incur a rise in some grunge
(distortion) and see the THD indicator lites come on a lot
more. The Distressor will no longer behave smoothly, nor
like an 1176.
How to use the new British Mode Option for the first
time
Put the unit in the 1:1 ratio and turn on the British Mode
Switch (flip it up and the LED should be lit). That enables
it. To sound like the 1176 the only constraint is to keep
the attack well under 4 on the Distressors - their attack
can go much longer than the 1176. Now you will find that
the unit has a new attitude! The attack and release will
generally be more aggressive and the unit will get in and
out of the way very quickly. Interestingly, the unit will
be slightly less colored when not compressing.
Tips
Use this ratio to "skim" peaks. This means that most of
the time it may not be doing anything, but when it does
"hit" the signal, it will smoothly push back the signal
and then get right out of the way again. If you are hitting
the Gain Reduction all the time with the British mode on,
you are going to be really "squashing" the signal. On the
other hand, the Distressor will sound fairly subtle when
compressing all the time in 2:1 mode, especially with a
slower attack (>6).
Tricks
* Vocals! - This is a great final compression during mixdown.
When not working it is very transparent, but when a vocal
pops out and hits the compression, the British mode will
get in and out of there quickly and smoothly. When you are
really compressing a lot, breaths and background noises
will become very loud (pushed up). There is not much you
can do with this except gate before compression maybe or,
mute or erase the noises and breaths out that you don't
want to hear. Remember that breaths are natural and can
add a lot of excitement sometimes, so don't gate or erase
them by default. If you can, back up a vocal track before
you start trying to punch out breaths and noises etc.
AGAIN,
DO NOT RETURN YOUR DISTRESSOR TO THE FACTORY FOR UPGRADING
UNTIL YOU HAVE AN "OPTION UPGRADE NUMBER" and a service
date scheduled! Contact Empirical Labs directly
for info and scheduling.
Suggested retail price is $200 per Distressor
for both mods ($400 for a stereo pair). This
includes a brand new EL-8X front panel, turning your EL-8 to
an EL-8X.
Schedule
your modifications now!
Click here to schedule
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What
people say about the British Mode Modification
For those who have come to love and depend on the sound
of the Distressor, the new British mode turns it into a
new fun loving animal.
At
the flick of a switch, the Distressor becomes more aggressive
and stressful on any instrument you desire.
Dave
Derr should win the "t**s" award for coming up with such
a nice but nasty box. - Michael Brauer
A
short while ago, I spoke to Judy there about the Stereo
Image Link & the British Mods. Both are major enhancements
to the Distressor, the British sound being a kind of hard
drug! You hear it once, & then you can't imagine using
a Distressor without it... J
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